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The Play Goes On

 

Counterattack

This is a poem with rhythm,
   not suited for those who despair,
for the lanterns of tragical vision
   shine poorly in this simple air.

This is a poem with rhyming,
   not fit for the steadfastly mordant
for the jangles of cultures declining
   seldom sound so naively concordant

This is a poem with meaning,
   not suited for static defense,
for the rhythm reflects the world leaping
   and the rhymes, the world making sense.

Jan 1982

 

Structure

I like these thicket theories:
   sound systems, mused harmonies
   of meter with natural strains,
   contrapuns, apologies,
   economies and ironies,
   linguistic sexuality,
   metaphors, metonymies,
   sin and diachronicity,
   die and synchronicity,
   time tumbled by eternity,
   chains, change and counterclaims.

But why will some words hurt or heal
   as well as herbs can do, or steel?

Dec 1981, Jul 1982

 

The Progress of Poesity

He dabbles in profundity
  on every other Mundity
& wrestles with lucidity
   afterwards on Tuesity
& argues with acerbity
  on Wednesdity & Thursdity
to convince his wife, the mightity,
   of what he means by Fridity.

(Off Saturditties & Sundelays.)

Jun 1982

 

2-tuples

Many lines roast time and death.
Nicht neues noch am Westen.

Other lays toast love and sects.
Maxime regnat pontifex.

Still other spokes adorn the day.
Il y a bien un âge dorée.

Every poker ascertains so.
La vida, Sancho, sea sueño.

Nov 1984

 

Basketball Fans

In church they sit as silent as decay
   to which, perhaps, they mean to pay respect.
At work, at home, they're quiet and correct
   and usually as careful when they play.

But here they bounce around and stamp and roar
   while business-suited coaches sweat out schemes
for baffling the hopes of other teams
   and making players, briefly, something else.

The game is fleeting as an ice cream swirl
   but deeper than desserts.  That skinny girl
who danced for cheers and near the end was spread
   like a flamingo doing splits, her head
bent down as if in prayer -- was the grace
   in that great hall a blessing out of place?

May 1981

 

Three-Part Invention

This mote is rustle dust and filigree,
   a fine divide of chaos from conception,
   no messages intended past reception
   like music, wind and sugar in the sea.

Be like a nectar drop and bumble bee
   and nimble cart of fribbling confection,
   a sting or two inserted for protection,
   like peppermints and counter melody.

and be a sound of burble pot and tea
   and tinkle cup and moderate intention
   according to a temperate convention,
   so bound, so free, so calm intensity.

I had in mind to speak you mysteries
   like ting and tang, like surface lines like these.

Mar 1982

 

Sweet Maybe Blues

Sweet, someday, maybe, this big bus will take me,
   sweet, maybe, someday, bring me back to you,
but now there ain't no way for you to make me
   just hang around and be your honeydew.

I know you'd like to have me do my duty.
   Sweet, maybe, someday, that's the way I'll be.
I'd like to wait and be your tutti-frutti
   but now I got to ride this bus and see.

Sweet maybe someday blues is what I got
   and wonder if I'd maybe better not.
I'd like to be your Sunday baby someday
   and someday may be longer than I thought.

If this big bus won't bring me back, I'll lose,
   and maybe have to sing sweet maybe blues.

Jan 1981

 

Farewell by Callimachus

(translated from the Greek)

They told me your fate, Heraclitus
   and I began to cry;
I thought how often with our talk
   we chased the sun from the sky.
Friend from Halicarnassus, though you
   were ashes long ago,
your songbirds live; light-fingered death
   will never reach for those.

Spring 1976 (?), Aug 1981, Aug 1982

 

Epitaph

         Traveler
      His Motto Was
         Endure
      And So He Does.

Jan 1982

 

Affirmation

I am singing to you,
   singing,
      words that rise to mind
the pinkish blossoms blowing
   and seeds for days to bind.

Green is promissory,
   the currency of spring.
Sunlight promontories
   color what they bring.

Scatter, blossoms,
   blowing,
      beckon to the rounds.
Swirl, pleasant petals,
   skirring.
      Summer gently sounds.

Apr, Dec 1981, Feb 1982

 

Names

The people are marching the ridge.
   What was the name of the ridge
Between the first and the second great ice?
   Between the second and the third?
Just before the last retreat?
   What were the names of the people,
Your father a thousand times removed,
   Your mother in the snow?

What were the names of the rivers
   Before the rivers had names?
What did the gods call the living
   Before the living could hear?
What were the names of the gods?
   What is your name?
What are the names of the people?
   Where are the names?

(date unknown)

 

Trees

The cabbage priest with sauerkraut hair
   Rules the ravenous kingdom.
Trees, it says, nothing but trees,
   Bilateral trees, looking with leaves,
Roots in the earth, afraid in the dark,
   Deciphering news from the air,
Dancing drops, cilia, dendrites,
   The branches and roots of wandering trees,
Some in tight embraces,
   Reaching to touch and devour,
The turkey king with maggots for hair
   Rules the slobbering trees.

The sparrow prince with feathery hair
   Rules the spellcast kingdom.
Trees, it says, sing me the trees,
   Trees written large, trees written small,
Roots in invisible subjects,
   Deciphering news from the air,
Sending signals to nowhere,
   Dancing sounds, waiting signs,
Some in tight embraces,
   Reaching to touch and declare.
The cosmical count with starbeams for hair
   Rules the rustle of trees.

(date unknown)

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